| Description |
- 33MP full-frame Exmor R back-illuminated CMOS sensor
- 8x more powerful, next generation BIONZ XR image processing engine
- Up to 4K 60p 10-bit 4:2:2 w/ full pixel readout in all recording formats
- 7K oversampling full-frame 4K 30p 10-bit 4:2:2 w/ no pixel binning
- Beautiful color expression made simple with S-Cinetone color profile
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- Super 35mm DGO Sensor with 16+ stops of Dynamic Range
- 120fps in 4K Cinema Raw Light
- Modular Design for Camera Customization
- 12G – SDI output, Dual Pixel Autofocus with Touchscreen Support
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- URSA Mini Pro 4.6K 2nd Generation Digital Cinema Camera - Turret Dust Cap - Interchangeable Lens Mount with EF Mount - Power Supply - DaVinci Resolve Full-Version License - Original Box
- Digital film camera with 15 stops of dynamic range
- Super 35mm 4.6K sensor with Blackmagic Design Generation 4 Color Science
- Supports project frame rates up to 60 fps and off-speed slow motion recording up to 120 fps in 4.6K, 150 fps in 4K DCI and 300 fps in HD Blackmagic RAW
- Interchangeable lens mount with EF mount included as standard. Optional PL, B4 and F lens mounts available separately
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- 6K Full-Frame Exmor R CMOS Sensor
- 15 Stops of Dynamic Range, Dynamic HDR
- DCI 4K and UHD 4K up to 60p
- Quad Full HD 120p Raw with XDCA-FX9 Unit
- HD Recording up to 150/180 fps
- Sony E-Mount
- 10-Bit 4:2:2 XAVC-I up to 600 Mb/s
- Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
- Dual Base ISO up to 102,400, HLG Mode
- 12G/6G/3G-SDI & HDMI Output up to 4
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- 45.7MP Stacked CMOS sensor and EXPEED 7 image processing. Fast powerful AF that can keep up with the fastest subjects and frame rates.
- Subject detection uses deep learning to automatically detect and track people, cats, dogs, birds, cars, motorcycles, bicycles, trains and planes in still and video with no menu changes.
- Capture 45.7MP stills at 20 or 30 fps; 120 fps stills at 11MP, all with full AF and AE, and no viewfinder blackout. 8K/30p video capture in-camera for over 2 hours recording time. 4K 120p slow motion video capture.
- 10-bit 4K/30p from oversampled 8K, recorded in-camera as ProRes 422 HQ or H.265 video.
- New high-efficiency RAW file format is 1/3 the size of uncompressed RAW while retaining the same high image quality and dynamic range as conventional RAW files.
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